Creative Loafing: Southern cocktail culture

The South and cocktails go together like sweet tea and lemonade. But, if last week’s Atlanta Food and Wine Festival is any indication, the South is also embracing cocktails that go way beyond easy inspirations like the Arnold Palmer. In fact, the opening toast of this festival was a cocktail that simply and deliciously managed to blend Old World elegance with Southern heritage — a flute of sparkling wine topped with a pour of floral Four Roses bourbon. A perfect drink to toast the festival; a perfect drink to capture the anchors and aspirations of drinking in Atlanta…

Continue reading at Creative Loafing Atlanta

 

The Holeman and Finch Bartender Survival Kit

The fine folks of the Holeman & Finch gustatory empire created an epically brilliant survival kit for rockstar bartenders visiting last week’s Atlanta Food and Wine Festival. It’s so epically brilliant, in fact, that it deserves to be shared as a model of Southern hospitality done right. Note the clever illustrated instructions, especially the subtle reference to inappropriate ways to sign your name when thirsty fans are seeking autographs.

Contents:

1 Towel. For wiping sweat from brow during Southern heat.

1 Fernet Branca. For instant joy and street cred to boot.

1 Bottle Opener. Duh.

1 Packet of Goody’s Powder. For the morning after.

1 Pack of Mints. To spare those around you.

1 Sharpie Pen. To appease the clamoring hordes of autograph hounds.

Holeman & Finch operation hospitality? Mission accomplished.

Drinking at the Atlanta Food and Wine Festival 2012

I had a good many things to drink at this past weekend’s Atlanta Food and Wine Festival, most of them being quite enjoyable. I also took a good many photos, most of them being dark and blurry. Here are some of the better ones, to give you a bit of a feel for this fest of food and drink, followed by my top 10 list of potent potables consumed. Also, keep your eyes open for my upcoming cocktail feature in Creative Loafing Atlanta that will build on some of the interesting cocktail trends seen at the festival (update: and here it is). In the meantime, enjoy the photos, and scroll down for the top 10 list…

Top 10 Potent Potables Consumed at the Atlanta Food & Wine Festival, 2012:

10. Van Winkle Special Reserve 12 year old Bourbon: I had forgotten how good the Van Winkle 12 is, really not that far below the 15 year old
9. Four Roses Single Barrel Bourbon: full of baking spice and honey, very nice
8. The Longnecker: sparkling wine with a float of Four Roses yellow, you need to try this, now
7. Chatham Artillery Punch: with Dave Wondrich at the History of the Southern Cocktail seminar, quote: “I’ve seen bad things happen from drinking this.”
6. Pappy Van Winkle 20 year old Bourbon: can’t go wrong
5. Mezcal Negroni: from bartenders Paul Calvert and Navarro Carr, earthy and smoky and sharp and bitter, just like I like it (made with Cocchi Vermouth di Torino and Aperol)
4. Bourbon Nib Brittle: from Olive & Sinclair Chocolate in Nashville. You don’t necessarily taste bourbon in this, but the aging of the cacao nibs in the barrel adds some incredible flavor to this dark chocolate (67%, from Ghana!) and cacao nib brittle.
3. Barolo Chinato cocktail: from Neal Bodenheimer and Nick Detrich of Cure and Bellocq in New Orleans, this was whipped up with Rittenhouse Rye, Hum (American Amaro basically), and orange peel. Wow, great balance, depth and flavor.
2. Dulce Monastrell Cobbler: another one from the boys of Bellocq, this one with a Spanish fortified wine, a bit of simple syrup, bitters and fresh fruit. An amazingly refreshing but rich summer cocktail.
1. 1863 and 1912 Madeira: OK, I didn’t even drink this one – but the best moment of the festival was just smelling the aroma in the air of the room where these ancient Madeiras were being poured. Seriously. Amazing.

Anyone else out there make it to the festival? Let us know what your favorite sips were, too!

Also, check out the incredibly awesome bartender survival kit that Holeman & Finch was handing out to visiting bartenders.

Drowning in wine

I have something to admit. I hate big wine tasting events. Same thing for beer. I keep getting drawn into these types of events for the opportunity to try new things, to overload on whatever it is that is being poured. But I really tend to regret it afterwards, kind of the way one feels after eating too much at an all-you-can-eat buffet, shamed by participating in something that goes beyond reason, ready to perform penance for your sins (whether gluttony or greed or even envy of others).

Why do I hate these types of events? Insert rant here… because I hate large tents or ballrooms full of lots of people pushing their way through crowded aisles trying to get in as many sips as possible in an allotted time. After the tenth taste or so, your tongue begins to numb to any joy of tasting anyway. The atmosphere suppresses any ability to sit with a drink, to get to know it beyond a cursory sensation. Outliers become more notable simply because they stand out from the norm. There’s simply too much followed by even more, even if (maybe especially because) you’re spitting after every sip so as not to get intoxicated or simply full. And that ain’t right.

Sure, you get the benefit of trying many new things at a big tasting event. And at a high profile event, you actually get the opportunity to meet and speak with the owners and/or winemakers and/or people who really know their stuff and are passionate about their product. That is, at least until the next guy in line starts shoving you out of the way so he can get his free pour.

I went to a trade wine tasting event today. It was for the High Museum of Art’s annual wine auction weekend. This is a big deal wine event, with big deal winemakers present, passionate small producers, all kinds of names I’ve heard but never tried. It’s also for a great cause, the fine art museum that calls Atlanta home. I had to be there, right? Well, I did get to meet some fascinating people. I did get to try a few wines that were really interesting (among many things that were not). And I did get to reconnect with some friends in the business that I don’t get to see often enough. But that doesn’t change the fact that I felt a bit depressed at the end of it, yearning for something like the wine tasting I went to a few nights before, where it was one passionate person sharing her family’s story with a small room of people who really cared about the topic at hand. I’d rather meet that one person, taste that one winemaker’s wines, than speed date through a crowded room for the opportunity to taste a tantalizing array of too much. Sure, each type of event has its purpose, and each has its place. I’m just sharing my preference, the way I find more relevant to the enjoyment of wine (or spirits, or beer, or whatever), the more intimate route. (Dear public relations people: if you must blacklist me from future events for my remarks, so be it)

So, with that said, I’m happy to share the winemakers I met whose wines really did manage to break through the crowd and leave an impression upon me. The next few notes will probably leave you saying, “wait, didn’t he just say he hates events like this?” True enough, I have to be honest, I did enjoy a few moments among the masses.

First off, I really dig the pinot noir of Kosta Browne. These are fairly pricey wines that I’ve only rarely tasted, and it was great to try a few of their wines and meet Michael Browne in person. Their Russian River has a great mossy forest floor aspect to it (yes, that’s a good thing). I may have liked their Sonoma Coast pinot even more, with a bit more balance between the woods-y notes and the dark fruit, a fairly voluptuous take on pinot noir. The pinot noir being poured by Andy Peay from Peay Vineyards also impressed, especially the “Scallop Shelf Estate,” superb floral and spice nose, lovely body.

Pierson Meyer‘s Heintz Vineyard chardonnay was fascinating, more mineral and then intensely vibrant than other Heintz vineyard chardonnay I’ve had (there are many, and they all tend to be excellent in different ways). I learned that their winemaker, Robbie Meyer, is actually from Atlanta and went to the University of Georgia – always good to meet Atlanta folks who have made it in the wine world. His L’angevin Russian River pinot noir is also my kind of wine, full of spicy undertones.

You’ll notice I don’t mention many cabs or other big reds, they were present in abundance, but none of them really spoke to me. I’ve moved on from the attraction of big wines… AND big wine events.

P.S. I realize for many people in the trade, attending large trade tastings is very important. This is from the perspective of both a consumer (who has attended many large scale fundraiser wine tasting events) and a writer (who covers both trade and consumer events). Thanks, any feedback appreciated in the comments below.

Low Octane: Session Beers, Suppressor Cocktails, & Low Alcohol Wine

In the worlds of beer, wine AND cocktails, dialing back is the new amping up. Those pumped up, roided out monsters may still have their fans, but it’s amazing to see the similarities striking forth in the worlds of potent (and not quite so potent) potables when it comes to crafting drinks that deliver maximum enjoyment, which can often mean less-than-maximum ABV. In an eerie parallel, even Carrot Top himself is taking up this cause and has committed to a steroid-free life of balance in line with this whole movement. THAT is proof positive that this thing has legs!

Wine? Jon Bonné really pushed the conversation about paying attention to alcohol levels in wine with his piece in the San Francisco Chronicle almost a year ago, and has continued to keep the topic top of mind for readers and drinkers. Overblown 16% syrahs and cabs and zins are out; reeled-in pinots are in like Flynn (so says me). That’s not to say that wimpy or delicate are the end goal, but rather that flavor and balance can and do coexist in wines that are more in line with what wine looked like before the evil influences (and I mean EVIL!) pushed many winemakers to pump, pump, pump things up in the past two decades or so.

In beer, the term “session” is raging, both as a blowback to the ridiculously powerful craft beers that have dominated the scene for so many years now AND as a recognition that people simply like beers that allow them to have more than one and not be physically impaired for the night. It’s true. The 4% session beer that delivers on flavor and enjoyment seems to be the holy grail du jour, and I’m a seeker. Wild Heaven‘s recently released Let There Be Light is just another example of a craft brewer who had previously focused on beers that topped out at 8-10% ABV now turning towards the lighter end of the spectrum. Let There Be Light clocks in at 4.7% – not quite a “session beer” technically, but darn close, and a whole lot more hangover-friendly than their 10.5% Eschaton.

As for cocktails, Atlanta is ground zero for a movement that is all about lowering the octane level of craft cocktails, and Greg Best from Holeman & Finch is the maestro at the front of the orchestra of bartenders playing along. Starchefs.com just wrote about the movement today (dang, they beat me to it! and nice job, too), but it’s one that has been bubbling up for the past few months and is now picking up steam. If you’re a fan of vermouth or Sherry or Madeira as a base for cocktails rather than the sidekick (and I am), this is something to get excited about. And if you’re simply a fan of carefully considered cocktails, the cause is equally compelling. The suppressor movement is on, and I bet it will take hold in great cocktail bars from New York to Portland and back again. Put a bird on it.

So what does this all mean? What is this crazy convergence in the worlds of wine and beer and cocktails and insane Las Vegas comedians? I have no idea. But I think it is a sign of good things to come. A sign that moderation and the middle ground may yet hold sway in this extremist world we live in. A sign that reason and virtue will prevail over bombast and boastfulness. Or, maybe, it’s just a sign that we can simply enjoy one more drink and feel good about it. Yeah… that.