Playing with the Pappy Old Fashioned

I’ve always been hesitant to use long aged (AKA $50+) whiskey in cocktails, thinking that a 6 year old rye or 10 year old bourbon offer a better balance of approachability and complexity from time in the barrel. A bottle such as Pappy Van Winkle 15 year old bourbon has always been reserved for neat drinking in my house, due to its amazing character and its cost, quite frankly, but also because it just seems a bit sacrilegious to mix anything beyond a few drops of good water into something so fine. Now, I’ve heard of Pappy cocktails being served at pairing dinners with Julian Van Winkle III himself at the table, but it wasn’t until I read John Kessler’s brief chat with Charleston chef Sean Brock that I had a strong desire to explore Pappy in a cocktail. Chef Brock shared an approach for making a Pappy Old Fashioned that Mr. Van Winkle himself had recently offered up – a slightly unorthodox approach that, I’m sure, plenty of thought and experimentation went into. So with the Van Winkle-endorsed recipe in hand, I joined a few Pappy-appreciating friends to tinker with the recipe and contrast it with the standalone bourbon. The fact that we were playing with the Old Fashioned eased my apprehensions as well, given that it’s one of the simplest of classic cocktails, one that focuses on the primary ingredient (here, bourbon), layered with the interplay of aromatic bitters and the sweetness of a bit of sugar.

The test was this:
Glass A – Pappy 15
Glass B – a conservative take on the Pappy 15 Old Fashioned, adding a cube of brown sugar doused in Angostura and orange bitters
Glass C – following Mr. Van Winkle’s lead, taking the above and adding a small wedge of orange to the mix
Glass D – blending the Glass C approach with another common Old Fashioned technique, the addition of a touch of club soda

So, we started with the bourbon itself and progressed step by step to cocktails that layered on extra dimensions. The results were fascinating to say the least…

Glass A – Pappy 15 – a genuinely great bourbon worthy of slow contemplation on its own. The first thing that hits you is the depth of the nose that the time in the barrel has provided, caramel, leather, cedar, on and on. There is the evident heat, it is 107 proof, but it’s kept in check amidst the layers of spice and toasty caramel. Close to perfection in a bourbon. How can you mess with this?!

Glass B – Pappy 15 Old Fashioned, with brown sugar and bitters – wow, the nose now is completely changed, gone are the deep aged notes, in are the bright aromatics of the bitters, which really take over. Bitter orange peel, cloves, sharp floral whiffs. Where’s the Pappy? But then you take a sip, and the Pappy emerges, now a bit sweeter indeed, a bit more rounded, present but definitively altered – a cocktail rather than a bourbon in the glass. Is it better? No, not really. Is it good? Yes, definitely. And as the drink sits in the glass, the cube of ice melts a bit, the bitters take more of a back seat and integrate into the bourbon more effectively.

Glass C – Pappy 15 Old Fashioned, with a wedge of orange in the mix – OK, now this is interesting. The orange muddled into the bourbon increases the orange notes (duh) that hit your nose up front, but the sweet acidity of the orange also somehow manages to make the drink “fuller,” smoother, rounder. Dare I say more interesting? This is an excellent cocktail, no doubt, with a LOT going on between the citrus, the bitters, the bourbon itself. It respects the bourbon, but adds a playful element of surprise to the Pappy experience.

Glass D – Pappy 15 Old Fashioned, now with a touch of club soda – a little bit of water can go a long way. Here, alas, the way it’s going is a dead end, a distraction, a verge off into too sweet and too mellow that basically diminishes the glory of the main ingredient. Fail. Well, maybe not a FAIL, but does not compare well to the other versions tested.

Conclusion: Pappy 15 is a glorious thing on its own. It’s hard to justify making a cocktail out of it, BUT… if you are hankering for a cocktail that respects a fine bourbon, there is an Old Fashioned that works delightfully well, that is interesting and engaging, that is OK to put Pappy 15 in! Julian Van Winkle III clearly knows his stuff, and the combination of the brown sugar, bitters and orange is a fine partner for Pappy.

So, here it is, a slightly modified take on Van Winkle’s Pappy Old Fashioned:

Ingredients:
1.5 oz Pappy Van Winkle 15 year old Kentucky Straight Bourbon
1 brown sugar cube (roughly 1 tsp brown sugar pressed into a cube)
Angostura Bitters
Orange bitters
Orange wedge, peeled, fruit only (Satsuma or similar is a good choice)

Preparation:
Place sugar cube over a paper towel on top of an Old Fashioned (AKA rocks) glass. Add 6 drops of Angostura bitters and 6 drops of orange bitters to the sugar cube, then let it settle through the sugar – a good portion of the bitters will absorb into the paper towel. Drop the sugar cube into the glass, and add 1/4 oz Pappy and a small wedge of orange. Muddle well. Add one large ice cube and 1 oz Pappy, then stir well. Once stirred, add a final 1/4 oz Pappy. And enjoy!

Notes:
Chef Brock uses a touch of sorghum over a regular white sugar cube instead of brown sugar. Mr. Van Winkle commented below to be sure to peel the orange and use the fruit only, so that the bitterness of the pith is taken out of play.

Bourbon Bounty at Blackberry Farm, Walland, Tennessee

barn

Blackberry Farm sits amongst the bucolic hills of eastern Tennessee, a retreat for lovers of rustic elegance and the ideals of farm-to-table Southern goodness. Enough has been said elsewhere about the excellence of their hotel and restaurant – Blackberry Farm has been rated the #1 resort, small hotel or country inn in the U.S. many times over- so we’ll concentrate on their incredible bar program, and, more specifically, their bourbon collection. Now, we must preface this by saying that one must be a guest at the hotel to access the bar – this is no neighborhood hangout. And staying at the hotel requires a small fortune (or a large fortune, depending on your point of view). Nevertheless, once you’re settled in to the cozy confines of Blackberry Farm, especially on a cold winter day, the bourbon beckons.

menu

While the wine list is one of the most ambitious in the Southeast, the whiskey selection is inherently closer to the ideals of this Southern farmstead. They say: “After all, we are surrounded by the core of American whiskey production. Of course our collection is comprised of both American and international whiskies. However, the one closest to our hearts are the ones produced closest to our homes. We like to believe that our region is at the forefront of the American whiskey revival, and the amber glow that emanates from within our bars clearly represents our passion for brown spirits. … our selection of artisan American whiskies demonstrates the skill, craftsmanship, and traditions of American Master Distillers.”

There are close to a hundred selections of American whiskey on the menu, ranging from a $5 pour of George Dickel #12 Tennessee Whiskey to a taste of rare experimental batches from Buffalo Trace (or equally rare A.H. Hirsch of W.L. Weller aged bourbons) that will set you back a very pretty penny. There are Pappy Van Winkle bottles hand selected for Blackberry Farm’s beverage manager and mixologist, Andrew Noye. There are multiple vintages of single barrel releases. It is a veritable bounty of bourbon.

three

On a recent cold and blustery December night, we were guided through the bourbon offerings by Jesse behind the bar, a knowledgable bourbon guide if there ever was one. He discussed Blackberry Farm’s intentions to be a bourbon nirvana, and they are certainly getting close. We opted to go for two bourbons we hadn’t tasted before – a Black Maple Hill 21 year old and an A.H. Hirsch 16 year old that was originally set in barrels back in 1974 by Michter’s Distillery in Pennsylvania – plus a good ole Elmer T. Lee single barrel. It was an interesting lineup – the Elmer T. Lee’s nose just about knocks you out with butter caramel popcorn, the A. H. Hirsch is laden with spice and vanilla, and the Black Maple Hill 21 presents a complex and deep puzzle of aged mysteries. Choosing a favorite among them was nigh impossible, as each one was completely unique and full of character.

Like that Black Maple Hill, Blackberry Farm’s bourbon library is full of mystery, with only a few lucky souls able to explore it in depth. It is a rare opportunity to venture back in time, to savor some American artistry in the shadows of the Great Smoky Mountains.

farm

collage

book

Local Three, Atlanta: Elvis, The Dude, & a Big Pig

Who knew that the “three” in Atlanta’s new bar and restaurant, Local Three, referred to Elvis, the Dude (from The Big Lebowski), and a very big pig? Some have surmised that it refers to owners Todd Mussman and Ryan Turner (of Muss & Turner’s), along with chef Chris Hall. Heck, the menu even says as much. But just get a load of all the artwork around the restaurant, and it’s clear that there is a serious devotion to Elvis, the Dude, and all things pig. That’s three for three in our book. And the Elvis/Dude attitude is one thing that sets Local Three apart from the crowd of local/Southern/farm-to-table restaurants all over town these days. We’re certainly fans of places like Miller Union, Cakes & Ale, Empire State South and Sprig, but chances are that black velvet Elvis won’t be making an appearance in those joints any time soon.

wall
“In Hungry” and “Out Happy” grace the wall by the kitchen at Local Three

The fine folks behind Local Three have done a beautiful job of converting the old Joel space off Northside Parkway into a warm and comfortable environment that fits the restaurant’s down-home, locavore menu perfectly. Boiled peanuts, a charcuterie plate nicknamed “the Notorious P.I.G.,” and so many other dishes that shout amped-up Southern goodness all seem right amidst the wood, the funky art, and the fine collection of bourbons lining the bar.

bar

While Local Three is surely a restaurant first and a bar second, the bar offerings already fit nicely alongside the cuisine and the general feel of the place. A concise but (mostly) classic cocktail list, for example, features a Whiskey Sour, a Julep, and a “Caucasian” lifted as carefully as possible from the Dude’s drink of choice in The Big Lebowski. In the spirit of sharing, the menu even includes the basic recipe for each cocktail – a nice touch more bars would be wise to follow as a way to engage curious cocktail drinkers. Like the restaurant side, the bar hopes to keep things as house-made and local as possible, always a sign of a bar that takes their craft seriously.

menu
“Hey man, there’s a beverage here” – two views of the cocktail and beer menu

The spirits list goes heavy on the bourbon, with startling variety at the affordable end of the spectrum, and a wonderful collection of bourbon and whiskey flights that allow for tasting and contrasting three different whiskeys that share some common traits – a group of ryes for example, or a trio of top shelf selections including Pappy Van Winkle 23 (for now, though their stock is being depleted rapidly by eager Pappy devotees!). The prices are nice as well. In addition to the bourbons, a few less-often-seen whiskeys from abroad fill out the selection, from the Pig’s Nose Scotch Whisky (5 years old) to Redbreast Irish Whiskey to the Yamazaki 12 year old single malt whisky from Japan.

Matthew behind the bar has also assembled an enticing beer and wine menu: 11 beers on tap with a Southern center of gravity, and about 90 more by the bottle; 100 wines covering a nice spectrum, focused on fitting the food and shifting with the seasons. The folks at Local Three clearly want the drinks to find a harmony with the food, but also aim to please by offering a broad enough selection that will offer something for everyone. Indeed, it’s hard to imagine walking out of Local Three without a big smile on your face, from the salt and pepper shakers to the paintings to the ingredients and menu to the drinks and staff – Local Three aims to please.

In the spirit of aiming to please, here’s a taste of the Local Three experience in photos, featuring more Elvis, pigs and peanuts (and be sure to check out the videos on the food at Local Three over at TheHungrySoutherner.com) as well:


pigs nose
peanuts
notorious PIG
pig
elvis
shakers

Great Southern Distillery: Old Rip Van Winkle, AKA “Pappy”

Part two of Thirsty South’s “Great Southern X” series features one of the most revered names in bourbon, Pappy Van Winkle. Rare. Cherished. Distinctive. Amazing. Those are but a few of the descriptors for the bourbon that carries the “Pappy” name. Old Rip Van Winkle is a standout among the many great Kentucky bourbon brands, true to a long heritage of great whiskey in the South. Read the full story here.

Shave and a Haircut, and Some Jack Daniel’s Too

When you walk into American Haircuts in midtown Atlanta or their outpost in Roswell, Georgia, you immediately get a sense that this is a contemporary take on the traditional (nearly forgotten) barbershop, and all the Norman Rockwell imagery that comes with it. There’s the old red, white and blue barber pole, the bright Barbicide disinfectant glass jars, the “official hairstyles for men and boys” poster, the… oh, wait – is that Jack Daniels? Maker’s Mark? I don’t remember that in any Norman Rockwell painting. Indeed, if Thirsty South were to endorse a shave and a haircut, it would certainly be at American Haircuts. For the Jack, for the hot lather shaves, for the barbershop-era hospitality. They even have their own guide to food and drink in Atlanta! Just don’t confuse the hair tonic for tonic when you’re having that drink…



By the way, in working on this post, we discovered that Norman Rockwell did indeed produce a few whiskey advertisements in his day. Schenley’s Cream of Kentucky Bourbon was a frequent Norman Rockwell subject from 1937 into the 1940’s.